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In reality, the harmonic construction of Stravinsky’s Ragtime begins diatonic but conveniently moves atonally via dissonant motivic sequencing. Removing clear diatonic progressions will really give tonality extra ability as it stays illusive and uncommon. Evidence of this happens in the shape of your blues where the last chord on the https://getsocialsource.com/story12581171/college-essay%E4%BB%A3%E5%86%99-an-overview


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